Absolute Art as Guise?

Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F18%3A73589744" target="_blank" >RIV/61989592:15210/18:73589744 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Jazyk výsledku
angličtina
Název v původním jazyce
Absolute Art as Guise?
Popis výsledku v původním jazyce
In the late 19th century, a new absolute understanding of art emerged: art for art’s sake. In this absolute understanding of art, art was seen as an autonomous autoreferential phenomenon transcending all other human cultural production. This view was represented by Herwarth Walden and his art gallery and magazine Der Sturm. During the First World War, Walden organised several exhibitions as part of the German war propaganda. This paper shows, how an understanding of art as an absolutely autonomous phenomenon could go hand in hand with heteronomous war propaganda.
Název v anglickém jazyce
Absolute Art as Guise?
Popis výsledku anglicky
In the late 19th century, a new absolute understanding of art emerged: art for art’s sake. In this absolute understanding of art, art was seen as an autonomous autoreferential phenomenon transcending all other human cultural production. This view was represented by Herwarth Walden and his art gallery and magazine Der Sturm. During the First World War, Walden organised several exhibitions as part of the German war propaganda. This paper shows, how an understanding of art as an absolutely autonomous phenomenon could go hand in hand with heteronomous war propaganda.

Projekt
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Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

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