Czech Bystanders Writing Poetry about the Shoah. Different ways of poetic languages in the first post-war literary reactions

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Czech Bystanders Writing Poetry about the Shoah. Different ways of poetic languages in the first post-war literary reactions

Popis výsledku v původním jazyce

Despite the fact that Kolář's shocking prosaic narration in verses is unique in the context of Czech poetry about the Shoah, Hiršal's curt style approaches the experimental artistic utterance of his colleague. Moreover, Bednář is probably the first Czech poet who - in 1946 - raised the major issue of asking about the form in which the Shoah is literarily graspable. Kolář's writings seem to be an answer either to Bednář's appeal or the later Adorno's proclamation which is set in a more general way. Most of the aforementioned poets, writing usually just a single poem about the Jewish annihilation, used traditional ways of poetic language in iamb and rhymes. However, Bednář already loosed the iambic and rhymed structure. In addition, Branislav chose dactyl (apart from dynamic verses in iamb), which could be considered as a way to the free verse used e.g. by Jaroslav Seifert in Koncert na ostrově (Concert on Island) in the mid-60s. Biebl, Branislav and Halas equalized the picture of the Jewish tragedy by war verses meeting requirements of the official period martyrdom. Only Kolář was continuously returning to the theme of the Shoah in an explicit way. He was far from being only a quiet bystander, he was a poetic witness who systematically shouted out loud words about the horrible factory cruelty committed on Jewish neighbours the majority of whom had been lost forever.

Název v anglickém jazyce

Czech Bystanders Writing Poetry about the Shoah. Different ways of poetic languages in the first post-war literary reactions

Popis výsledku anglicky

Despite the fact that Kolář's shocking prosaic narration in verses is unique in the context of Czech poetry about the Shoah, Hiršal's curt style approaches the experimental artistic utterance of his colleague. Moreover, Bednář is probably the first Czech poet who - in 1946 - raised the major issue of asking about the form in which the Shoah is literarily graspable. Kolář's writings seem to be an answer either to Bednář's appeal or the later Adorno's proclamation which is set in a more general way. Most of the aforementioned poets, writing usually just a single poem about the Jewish annihilation, used traditional ways of poetic language in iamb and rhymes. However, Bednář already loosed the iambic and rhymed structure. In addition, Branislav chose dactyl (apart from dynamic verses in iamb), which could be considered as a way to the free verse used e.g. by Jaroslav Seifert in Koncert na ostrově (Concert on Island) in the mid-60s. Biebl, Branislav and Halas equalized the picture of the Jewish tragedy by war verses meeting requirements of the official period martyrdom. Only Kolář was continuously returning to the theme of the Shoah in an explicit way. He was far from being only a quiet bystander, he was a poetic witness who systematically shouted out loud words about the horrible factory cruelty committed on Jewish neighbours the majority of whom had been lost forever.

Druh

D - Stať ve sborníku

CEP obor

AJ - Písemnictví, mas–media, audiovize

OECD FORD obor

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Projekt

<a href="/cs/project/EE2.3.30.0049" target="_blank" >EE2.3.30.0049: Rozvoj postdoktorandských pozic na JU</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

The Holocaust in the Central European Literatures and Cultures: Problems of Poetization and Aesthetization

ISBN

978-3-8382-0952-4

ISSN

2195-1497

e-ISSN

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Počet stran výsledku

15

Strana od-do

129-144

Název nakladatele

ibidem-Verlag

Místo vydání

Stuttgart

Místo konání akce

Giessen

Datum konání akce

18. 6. 2015

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

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