Medieval Organ Tablature on a Manuscript Fragment from the National Museum Library

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60076658%3A12410%2F18%3A43898009" target="_blank" >RIV/60076658:12410/18:43898009 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1515/muscz-2018-0001" target="_blank" >http://dx.doi.org/10.1515/muscz-2018-0001</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1515/muscz-2018-0001" target="_blank" >10.1515/muscz-2018-0001</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Medieval Organ Tablature on a Manuscript Fragment from the National Museum Library

Popis výsledku v původním jazyce

The manuscript fragment in the collection of the National Museum Library in Prague under shelf mark 1 D a 3/52 is a sheet of paper with writing on both siedes, containing two strata of inscriptions. The first stratum consist of accounting records, one of which is dated to 1356. That is also the terminus post quem for the other stratum of inscriptions, namely the musical notation of two liturgical plainchants in two-voice organ paraphrases. This involves the introit Salve, sancta parens and the Kyrie magne Deus. The discant is written in black mensural notation on the staff, while the tenor, which quotes the plainchant melody, is partially written in musical notation on the same staff, partially notated by letters for note names, and partially only indicated by syllables of text of the original plainchant. This notation documents the transition from practise without notation to the written notation of music for keyboard instruments, and it signficantly supplements the material found in treatises from the milieu of the ars organisandi, which are available to us from fifteenth-century manuscripts.

Název v anglickém jazyce

Medieval Organ Tablature on a Manuscript Fragment from the National Museum Library

Popis výsledku anglicky

The manuscript fragment in the collection of the National Museum Library in Prague under shelf mark 1 D a 3/52 is a sheet of paper with writing on both siedes, containing two strata of inscriptions. The first stratum consist of accounting records, one of which is dated to 1356. That is also the terminus post quem for the other stratum of inscriptions, namely the musical notation of two liturgical plainchants in two-voice organ paraphrases. This involves the introit Salve, sancta parens and the Kyrie magne Deus. The discant is written in black mensural notation on the staff, while the tenor, which quotes the plainchant melody, is partially written in musical notation on the same staff, partially notated by letters for note names, and partially only indicated by syllables of text of the original plainchant. This notation documents the transition from practise without notation to the written notation of music for keyboard instruments, and it signficantly supplements the material found in treatises from the milieu of the ars organisandi, which are available to us from fifteenth-century manuscripts.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Musicalia

ISSN

1803-7828

e-ISSN

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Svazek periodika

1

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

24

Strana od-do

6-29

Kód UT WoS článku

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EID výsledku v databázi Scopus

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