The Shadow Frontier

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461071%3A_____%2F13%3A%230000330" target="_blank" >RIV/60461071:_____/13:#0000330 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The Shadow Frontier

Popis výsledku v původním jazyce

One might think that a critical reflection on the work of Martin Polák and Lukáš Jasanský would only repeat with a slight delay arguments expressed twenty years ago in relation to ?artists using photography?. However, in their case the tenor of this criticism is quite different. Unlike their American counterparts, the Czech artists have not approached the medium of photography from the outside, but from within. Whereas in American conceptual and post-modern art, the tendency towards non-aesthetic, apparently amateur, photography corresponded to the artists? lack of interest in the chosen medium ? which, for them, was merely one means of expression, alongside film and performance ? in the case of Jasanský and Polák the same tendency is evidence of the opposite. The aesthetics of amateur photography, its mechanical origins, the multiplication of works and the banality of the chosen themes has enabled them to break with the tradition of ?fine art photography? which, through its highly sub

Název v anglickém jazyce

The Shadow Frontier

Popis výsledku anglicky

One might think that a critical reflection on the work of Martin Polák and Lukáš Jasanský would only repeat with a slight delay arguments expressed twenty years ago in relation to ?artists using photography?. However, in their case the tenor of this criticism is quite different. Unlike their American counterparts, the Czech artists have not approached the medium of photography from the outside, but from within. Whereas in American conceptual and post-modern art, the tendency towards non-aesthetic, apparently amateur, photography corresponded to the artists? lack of interest in the chosen medium ? which, for them, was merely one means of expression, alongside film and performance ? in the case of Jasanský and Polák the same tendency is evidence of the opposite. The aesthetics of amateur photography, its mechanical origins, the multiplication of works and the banality of the chosen themes has enabled them to break with the tradition of ?fine art photography? which, through its highly sub

Druh

C - Kapitola v odborné knize

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2013

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Lukáš Jasanský a Martin Polák

ISBN

978-3-03764-312-9

Počet stran výsledku

5

Strana od-do

460-468

Počet stran knihy

468

Název nakladatele

tranzit/jrp/ringier

Místo vydání

Praha

Kód UT WoS kapitoly

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