Reading Performances. Literary Aspects of Conceptual and Performance Art in Eastern Europe

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A52810%2F20%3AN0000039" target="_blank" >RIV/60461446:52810/20:N0000039 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.apparatusjournal.net/index.php/apparatus/article/view/192/468" target="_blank" >http://www.apparatusjournal.net/index.php/apparatus/article/view/192/468</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.17892/app.2020.0000" target="_blank" >10.17892/app.2020.0000</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Reading Performances. Literary Aspects of Conceptual and Performance Art in Eastern Europe

Popis výsledku v původním jazyce

The text entitled “Reading Performances” is a revised contribution from the conference on performance in eastern Europe organised by the University of Zurich. It deals with the fundamental difference between the development of this artistic genre in Eastern Europe and the West. While in the West performance became part of the institutional art world in the early 1970s and took place in museums and galleries, in Eastern Europe it survives only on the periphery of institutionalised art. In the West performers were obliged to produce artworks, and performance was mediated by forms of art photography or video. In the East performance remains mediated in the form of rudimentary photographic documentation and text in the form of artists’ publications or portfolios. While the forms and institutions of visual arts are crucial to performance in the West, in the East they are literary forms or bureaucratic and archival approaches that stand in for the missing or unavailable infrastructure of fine art. This hypothesis is supported by examples from the work of Jiří Kovanda, Ilya Kabakov, Zorka Ságlová, Vito Acconci, and others.

Název v anglickém jazyce

Reading Performances. Literary Aspects of Conceptual and Performance Art in Eastern Europe

Popis výsledku anglicky

The text entitled “Reading Performances” is a revised contribution from the conference on performance in eastern Europe organised by the University of Zurich. It deals with the fundamental difference between the development of this artistic genre in Eastern Europe and the West. While in the West performance became part of the institutional art world in the early 1970s and took place in museums and galleries, in Eastern Europe it survives only on the periphery of institutionalised art. In the West performers were obliged to produce artworks, and performance was mediated by forms of art photography or video. In the East performance remains mediated in the form of rudimentary photographic documentation and text in the form of artists’ publications or portfolios. While the forms and institutions of visual arts are crucial to performance in the West, in the East they are literary forms or bureaucratic and archival approaches that stand in for the missing or unavailable infrastructure of fine art. This hypothesis is supported by examples from the work of Jiří Kovanda, Ilya Kabakov, Zorka Ságlová, Vito Acconci, and others.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Apparatus

ISSN

2365-7758

e-ISSN

2365-7758

Svazek periodika

neuveden

Číslo periodika v rámci svazku

Volume I

Stát vydavatele periodika

DE - Spolková republika Německo

Počet stran výsledku

8

Strana od-do

nestrankovano

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—