"I am Here!" The Dawn of the Moving Image at Czech Art Schools

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F60461446%3A_____%2F24%3AN0000028" target="_blank" >RIV/60461446:_____/24:N0000028 - isvavai.cz</a>

Výsledek na webu

<a href="https://spectorbooks.com/book/mapping-the-moving-image" target="_blank" >https://spectorbooks.com/book/mapping-the-moving-image</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

"I am Here!" The Dawn of the Moving Image at Czech Art Schools

Popis výsledku v původním jazyce

The publication titled Mapping the Moving Image. Media, Agents, and Sites in the Czech Context is dedicated to a critical assessment of the practice of the moving image in the Czech art world from the 1970s to the present day. Its central theme is the critical analysis of the relevant planes of negotiation for an autonomous position for this practice. The separate commissioned essays by authors representing the discourses of both art history and film studies, as well as the perspective of archivists and curators, are arranged into a coherent volume that makes up for the currently fragmentary historical image of this practice. Chapters treat the beginnings of video (Martin Mazanec), the art played by video in higher art education (Tomáš Pospiszyl), curatorship (Markéta Mansfieldová), periodicals (Eva Krátká), exhibitions (Matěj Forejt), competitions and festivals (Lenka Střeláková), media variety (Martin Blažíček), performance documentation (Sylva Poláková), archiving (Matěj Strnad), internet art (Marie Meixnerová) and the relationship between the moving image and the humanities (Kateřina Svatoňová). Editors: Sylva Poláková a Martin Mazanec Available in both Czech and English. Graphic design by Anymade studio. The book is available in the e-shop of Národní filmový archiv, Prague, in selected bookstores and gallery shops. The chapter "I am Here!" The Dawn of the Moving Image at Czech Art Schools deals with the penetration of a new kind of expression into Czech education after 1989. It divides this period into two waves. In the first wave, it traces the institutional history of the Film and Television Faculty of the Academy of Performing Arts in Prague, Academy of the Fine Art in Prague and the activities at the newly established Faculty of Fine Arts of the Brno University of Technology. It pays attention to the introduction of individual technologies and relevant pedagogical practices since about 2000. The second wave is then characterised by the mass spread of audiovisual technology to other art schools in the Czech Republic. Publikace vznikla jako výstup výzkumného projektu „Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění“ (DG20P02OVV025), který je financován z programu NAKI II Ministerstva kultury ČR.

Název v anglickém jazyce

"I am Here!" The Dawn of the Moving Image at Czech Art Schools

Popis výsledku anglicky

The publication titled Mapping the Moving Image. Media, Agents, and Sites in the Czech Context is dedicated to a critical assessment of the practice of the moving image in the Czech art world from the 1970s to the present day. Its central theme is the critical analysis of the relevant planes of negotiation for an autonomous position for this practice. The separate commissioned essays by authors representing the discourses of both art history and film studies, as well as the perspective of archivists and curators, are arranged into a coherent volume that makes up for the currently fragmentary historical image of this practice. Chapters treat the beginnings of video (Martin Mazanec), the art played by video in higher art education (Tomáš Pospiszyl), curatorship (Markéta Mansfieldová), periodicals (Eva Krátká), exhibitions (Matěj Forejt), competitions and festivals (Lenka Střeláková), media variety (Martin Blažíček), performance documentation (Sylva Poláková), archiving (Matěj Strnad), internet art (Marie Meixnerová) and the relationship between the moving image and the humanities (Kateřina Svatoňová). Editors: Sylva Poláková a Martin Mazanec Available in both Czech and English. Graphic design by Anymade studio. The book is available in the e-shop of Národní filmový archiv, Prague, in selected bookstores and gallery shops. The chapter "I am Here!" The Dawn of the Moving Image at Czech Art Schools deals with the penetration of a new kind of expression into Czech education after 1989. It divides this period into two waves. In the first wave, it traces the institutional history of the Film and Television Faculty of the Academy of Performing Arts in Prague, Academy of the Fine Art in Prague and the activities at the newly established Faculty of Fine Arts of the Brno University of Technology. It pays attention to the introduction of individual technologies and relevant pedagogical practices since about 2000. The second wave is then characterised by the mass spread of audiovisual technology to other art schools in the Czech Republic. Publikace vznikla jako výstup výzkumného projektu „Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění“ (DG20P02OVV025), který je financován z programu NAKI II Ministerstva kultury ČR.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Mapping the Moving Image Media, Agents, and Sites in the Czech Context

ISBN

9783959058438

Počet stran výsledku

20

Strana od-do

160-180

Počet stran knihy

332

Název nakladatele

Spector Books

Místo vydání

Leipzig

Kód UT WoS kapitoly

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