Everyone can be composer today – full stop or question mark?
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F17%3AN0000056" target="_blank" >RIV/61384984:51110/17:N0000056 - isvavai.cz</a>
Výsledek na webu
<a href="http://dx.doi.org/10.5817/MB2017-1-4" target="_blank" >http://dx.doi.org/10.5817/MB2017-1-4</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.5817/MB2017-1-4" target="_blank" >10.5817/MB2017-1-4</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Everyone can be composer today – full stop or question mark?
Popis výsledku v původním jazyce
The incredible tempo of technological development has been incomparable with the rapidity of paradigm shifts in art, particularly over the past 25 years of the "digital age". Approaching technology using its surface control level as an easy tool for art creation (due to lack of time while exploring it, or lack of knowledge, or just due to superficiality) is not often challenging enough to compete with core traditions of art craft across creative disciplines. Due to the rising complexity of user interfaces technologies require either more knowledge, experience and specialization, or provide their users with simplifying solutions. Technologies also do not represent only pool of tools to be used. From media point of view, they gradually incorporate history of knowledge and its continuity. Using piece of technology to make music does not necessarily mean we understand how music is created on its structural level. We become composers thanks to knowledge embodied in the technology itself. Thanks to preset-based-technologies everyone can become composer today reaching quite complex results. In my presentation I am addressing issues of craft and virtuosity in contemporary music composition and performance and I am looking for ways how deep music knowledge can be taught and developed through use of technologies.
Název v anglickém jazyce
Everyone can be composer today – full stop or question mark?
Popis výsledku anglicky
The incredible tempo of technological development has been incomparable with the rapidity of paradigm shifts in art, particularly over the past 25 years of the "digital age". Approaching technology using its surface control level as an easy tool for art creation (due to lack of time while exploring it, or lack of knowledge, or just due to superficiality) is not often challenging enough to compete with core traditions of art craft across creative disciplines. Due to the rising complexity of user interfaces technologies require either more knowledge, experience and specialization, or provide their users with simplifying solutions. Technologies also do not represent only pool of tools to be used. From media point of view, they gradually incorporate history of knowledge and its continuity. Using piece of technology to make music does not necessarily mean we understand how music is created on its structural level. We become composers thanks to knowledge embodied in the technology itself. Thanks to preset-based-technologies everyone can become composer today reaching quite complex results. In my presentation I am addressing issues of craft and virtuosity in contemporary music composition and performance and I am looking for ways how deep music knowledge can be taught and developed through use of technologies.
Klasifikace
Druh
J<sub>SC</sub> - Článek v periodiku v databázi SCOPUS
CEP obor
—
OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
—
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2017
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Musicologica Brunensia
ISSN
1212-0391
e-ISSN
2336-436X
Svazek periodika
vol.52
Číslo periodika v rámci svazku
1/2017
Stát vydavatele periodika
CZ - Česká republika
Počet stran výsledku
10
Strana od-do
43-52
Kód UT WoS článku
—
EID výsledku v databázi Scopus
2-s2.0-85028304042