Indian rhythm system as a source of inspiration for western composers

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F18%3AN0000125" target="_blank" >RIV/61384984:51110/18:N0000125 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Indian rhythm system as a source of inspiration for western composers

Popis výsledku v původním jazyce

Indian classical music uses highly elaborated and sophisticated rhythmic system. Metric cycles (tāla) of different length and structure, intricate work with phrases and their chaining in carnatic music, the sound and the playing technique of north Indian tabla drums, or rhythmic recitation using special syllables (bol, konnakol, solkattu) – all of that can enrich western musicians and composers not only in a way of development their rhythmic feeling, but also as an immense source of inspiration. This presentation addresses various ways of the impact demonstrated in examples from the works of Olivier Messiaen, Phil Glass, or great Czech 20th century composer Miloslav Kabelac, as well as several contemporary composers from the U.S. and Europe, including author of the paper himself. In: Symposium Shastra 2018; William Patterson University, Wayane, New Jersey, U.S.A.; 27. - 30. Septembre 2018

Název v anglickém jazyce

Indian rhythm system as a source of inspiration for western composers

Popis výsledku anglicky

Indian classical music uses highly elaborated and sophisticated rhythmic system. Metric cycles (tāla) of different length and structure, intricate work with phrases and their chaining in carnatic music, the sound and the playing technique of north Indian tabla drums, or rhythmic recitation using special syllables (bol, konnakol, solkattu) – all of that can enrich western musicians and composers not only in a way of development their rhythmic feeling, but also as an immense source of inspiration. This presentation addresses various ways of the impact demonstrated in examples from the works of Olivier Messiaen, Phil Glass, or great Czech 20th century composer Miloslav Kabelac, as well as several contemporary composers from the U.S. and Europe, including author of the paper himself. In: Symposium Shastra 2018; William Patterson University, Wayane, New Jersey, U.S.A.; 27. - 30. Septembre 2018

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů