Czech Folk Dance and Song Ensembles Guided and Appraised - Political Artistic Program, its Realization, Modification and Evaluation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51110%2F21%3AN0000184" target="_blank" >RIV/61384984:51110/21:N0000184 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/68378076:_____/21:00546787

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Czech Folk Dance and Song Ensembles Guided and Appraised - Political Artistic Program, its Realization, Modification and Evaluation

Popis výsledku v původním jazyce

The paper addresses chiefly stage productions of folk song and dance ensembles in Czech lands in the periods between 1945 and 1989. To identify their political and ideological aspects, the author analyzes their linkage with the guidance provided by the state through various meetings, manuals, directed etc., as well as the appraisals expressed in published critical reviews. Documentary source material origination in the frame of so-called people's artistic creativity was studied to identify political and ideological expectations connected with artistic/choreographic performances of the ensembles, i.e. what the establishment expected to be represented and aestheticized on the stage. The other side of the issue was studied through published critical reviews (journals Lidová tvořivost and Taneční listy), to deal with the notion of what was understood as ideologically representative in these stage productions. The author concentrates attention on the period of the 1950s and 1960s when a visible shift took place in the concept and the vivid shape of the choreographic creativeness in the ensembles. IN: Vivien Apjok - Kinga Povedák - Vivien Szőnyi - Sándor Varga (eds.): Dance, Age and Politics. Proceedings of the 30th Symposium of the ICTM Study Group on Ethnochoreology. Szeged - Budapest: Department of Ethnology and Cultural Anthropology / Hungarian Association for Ethnochoreology / Institute for Musicology. ISBN 978-615-5167-34-8. 2021

Název v anglickém jazyce

Czech Folk Dance and Song Ensembles Guided and Appraised - Political Artistic Program, its Realization, Modification and Evaluation

Popis výsledku anglicky

The paper addresses chiefly stage productions of folk song and dance ensembles in Czech lands in the periods between 1945 and 1989. To identify their political and ideological aspects, the author analyzes their linkage with the guidance provided by the state through various meetings, manuals, directed etc., as well as the appraisals expressed in published critical reviews. Documentary source material origination in the frame of so-called people's artistic creativity was studied to identify political and ideological expectations connected with artistic/choreographic performances of the ensembles, i.e. what the establishment expected to be represented and aestheticized on the stage. The other side of the issue was studied through published critical reviews (journals Lidová tvořivost and Taneční listy), to deal with the notion of what was understood as ideologically representative in these stage productions. The author concentrates attention on the period of the 1950s and 1960s when a visible shift took place in the concept and the vivid shape of the choreographic creativeness in the ensembles. IN: Vivien Apjok - Kinga Povedák - Vivien Szőnyi - Sándor Varga (eds.): Dance, Age and Politics. Proceedings of the 30th Symposium of the ICTM Study Group on Ethnochoreology. Szeged - Budapest: Department of Ethnology and Cultural Anthropology / Hungarian Association for Ethnochoreology / Institute for Musicology. ISBN 978-615-5167-34-8. 2021

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů