Czech Folk Dance and Song Ensembles Guided and Appraised – Political Artistic Program, its Realization, Modification and Evaluation

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F21%3A00546787" target="_blank" >RIV/68378076:_____/21:00546787 - isvavai.cz</a>

Nalezeny alternativní kódy

RIV/61384984:51110/21:N0000184

Výsledek na webu

<a href="https://www.academia.edu/49077844/Dance_Age_and_Politics_Proceedings_of_the_30th_Symposium_of_the_ICTM_Study_Group_on_Ethnochoreology" target="_blank" >https://www.academia.edu/49077844/Dance_Age_and_Politics_Proceedings_of_the_30th_Symposium_of_the_ICTM_Study_Group_on_Ethnochoreology</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Czech Folk Dance and Song Ensembles Guided and Appraised – Political Artistic Program, its Realization, Modification and Evaluation

Popis výsledku v původním jazyce

The paper addresses chiefly stage productions of folk song and dance ensembles in Czech lands in the period between 1945 and 1989. For the purpose of identifying their political and ideological aspects, I analyze their linkage with the guidance provided by the state through various meetings, manuals, directives etc., as well as the appraisals expressed in published critical reviews. Documentary source material originating in the frame of so-called people’s artistic creativity was studied in order to identify political and ideological expectations connected with artistic/ choreographic performances of the ensembles, i.e. what the establishment expected to be represented and aestheticized on the stage. The other side of the issue was studied through published critical reviews (journals Lidová tvořivost and Taneční listy), with the intention to deal with the notion of what was understood as ideologically representative in these stage productions. I concentrate attention on the period of the 1950s and 1960s, when a visible shift took place in the concept and the vivid shape of the choreographic creativeness in the ensembles.

Název v anglickém jazyce

Czech Folk Dance and Song Ensembles Guided and Appraised – Political Artistic Program, its Realization, Modification and Evaluation

Popis výsledku anglicky

The paper addresses chiefly stage productions of folk song and dance ensembles in Czech lands in the period between 1945 and 1989. For the purpose of identifying their political and ideological aspects, I analyze their linkage with the guidance provided by the state through various meetings, manuals, directives etc., as well as the appraisals expressed in published critical reviews. Documentary source material originating in the frame of so-called people’s artistic creativity was studied in order to identify political and ideological expectations connected with artistic/ choreographic performances of the ensembles, i.e. what the establishment expected to be represented and aestheticized on the stage. The other side of the issue was studied through published critical reviews (journals Lidová tvořivost and Taneční listy), with the intention to deal with the notion of what was understood as ideologically representative in these stage productions. I concentrate attention on the period of the 1950s and 1960s, when a visible shift took place in the concept and the vivid shape of the choreographic creativeness in the ensembles.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60404 - Folklore studies

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů