The 6th Annual Conference of the Department of Photography, FAMU: Reconsidering Cameraless Photography

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F21%3AN0000105" target="_blank" >RIV/61384984:51310/21:N0000105 - isvavai.cz</a>

Výsledek na webu

<a href="https://foto.amu.cz/aktualne/reconsidering-cameraless-photography/" target="_blank" >https://foto.amu.cz/aktualne/reconsidering-cameraless-photography/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

The 6th Annual Conference of the Department of Photography, FAMU: Reconsidering Cameraless Photography

Popis výsledku v původním jazyce

Cameraless or lensless photography employs a variety of techniques of producing photographic images without a camera (such as the photogram, the luminogram or the chemigram). Within most photographic histories, cameraless photography is limited to the discussion of avant-garde artists using these techniques to define or redefine the specificities of the photographic medium. Yet the practices of placing objects on light-sensitive paper or drawing on blackened glass plates can be also related to radiography, photocopying, and digital scanning – technologies that can be defined as post-lenticular. From sensor or laser scanners to screenshots, remote sensing, light detection methods and lensless imaging, the varieties of the cameraless gradually expand and the very concept of cameraless photography becomes a productive theoretical and methodological tool that helps to not only inquire into the contemporary automated visual systems but also to link them with the wider tradition of photographic and other technical images.

Název v anglickém jazyce

The 6th Annual Conference of the Department of Photography, FAMU: Reconsidering Cameraless Photography

Popis výsledku anglicky

Cameraless or lensless photography employs a variety of techniques of producing photographic images without a camera (such as the photogram, the luminogram or the chemigram). Within most photographic histories, cameraless photography is limited to the discussion of avant-garde artists using these techniques to define or redefine the specificities of the photographic medium. Yet the practices of placing objects on light-sensitive paper or drawing on blackened glass plates can be also related to radiography, photocopying, and digital scanning – technologies that can be defined as post-lenticular. From sensor or laser scanners to screenshots, remote sensing, light detection methods and lensless imaging, the varieties of the cameraless gradually expand and the very concept of cameraless photography becomes a productive theoretical and methodological tool that helps to not only inquire into the contemporary automated visual systems but also to link them with the wider tradition of photographic and other technical images.

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GX19-26865X" target="_blank" >GX19-26865X: Operativní obrazy a vizuální kultura: mediálně-archeologická zkoumání</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Praha

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

35

Počet zahraničních účastníků

7

Typ akce podle státní přísl. účastníků

EUR - Evropská akce