An ecoaesthetic of vegetal surfaces: on Seed, Image, Ground as soft montage

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51310%2F21%3AN0000129" target="_blank" >RIV/61384984:51310/21:N0000129 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/14702029.2021.1917858" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/14702029.2021.1917858</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/14702029.2021.1917858" target="_blank" >10.1080/14702029.2021.1917858</a>

Jazyk výsledku

angličtina

Název v původním jazyce

An ecoaesthetic of vegetal surfaces: on Seed, Image, Ground as soft montage

Popis výsledku v původním jazyce

Engaging with Harun Farocki’s notion of the soft montage, our visual essay builds on our recent Seed, Image, Ground video project (2020). Commissioned by the Fotomuseum Winterthur, the moving image piece addresses the surfaces of vegetal growth in relation to the surfaces of media such as screens and images. While the video is a central reference point for this visual essay, our aim is not so much to theorise our own moving images and their juxtapositions and rhythms. Instead, in this article, we present a series of surfaces and scales that appear in and through the images. Images build upon images and this constitutes the practice-led approach in the temporal unfolding of the video. In other words, the video works as a temporal articulation of image surfaces across and upon living surfaces. Hence the central motif of the video essay and this accompanying text is to ask ‘what do images of growth look like?’ We also employ Celia Lury’s notion of ‘problem space’ to consider the methodological potential in the split-screen practice and its relation to Farocki’s soft montage.

Název v anglickém jazyce

An ecoaesthetic of vegetal surfaces: on Seed, Image, Ground as soft montage

Popis výsledku anglicky

Engaging with Harun Farocki’s notion of the soft montage, our visual essay builds on our recent Seed, Image, Ground video project (2020). Commissioned by the Fotomuseum Winterthur, the moving image piece addresses the surfaces of vegetal growth in relation to the surfaces of media such as screens and images. While the video is a central reference point for this visual essay, our aim is not so much to theorise our own moving images and their juxtapositions and rhythms. Instead, in this article, we present a series of surfaces and scales that appear in and through the images. Images build upon images and this constitutes the practice-led approach in the temporal unfolding of the video. In other words, the video works as a temporal articulation of image surfaces across and upon living surfaces. Hence the central motif of the video essay and this accompanying text is to ask ‘what do images of growth look like?’ We also employ Celia Lury’s notion of ‘problem space’ to consider the methodological potential in the split-screen practice and its relation to Farocki’s soft montage.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60401 - Arts, Art history

Projekt

<a href="/cs/project/GX19-26865X" target="_blank" >GX19-26865X: Operativní obrazy a vizuální kultura: mediálně-archeologická zkoumání</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2021

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Visual Art Practice

ISSN

1470-2029

e-ISSN

1758-9185

Svazek periodika

20

Číslo periodika v rámci svazku

1-2

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

15

Strana od-do

16-30

Kód UT WoS článku

—

EID výsledku v databázi Scopus

2-s2.0-85107501579