State Propaganda in the Background of the Czechoslovak Temporary Exhibition Displays at La Triennale di Milano

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F15%3A33156237" target="_blank" >RIV/61989592:15210/15:33156237 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

State Propaganda in the Background of the Czechoslovak Temporary Exhibition Displays at La Triennale di Milano

Popis výsledku v původním jazyce

The aim of this paper is to shed light on the complexity of different approaches towards the architectural concepts of Czechoslovak temporary exhibition installations at La Triennale di Milano, the International Exhibition of Decorative Arts, from 1923 until 1968. All eight national presentations which occurred during the above mentioned time frame were considered as both an efficient way of artistic confrontation and an important representation of the state through political propaganda. Documents and diplomatic correspondence from the historical archives of the city of Monza, La Triennale di Milano and the Czech Ministry of Foreign Affairs also declare national enmity and vanity. In 1923, the exhibition in the manner of Czech decorativism with RudolfStockar and Pavel Janák as well as the artistic group Artěl wanted to show a high level of applied arts in the new democratic country and to represent state pride and independency. However, it was clear that folk art and Czech decorativis

Název v anglickém jazyce

State Propaganda in the Background of the Czechoslovak Temporary Exhibition Displays at La Triennale di Milano

Popis výsledku anglicky

The aim of this paper is to shed light on the complexity of different approaches towards the architectural concepts of Czechoslovak temporary exhibition installations at La Triennale di Milano, the International Exhibition of Decorative Arts, from 1923 until 1968. All eight national presentations which occurred during the above mentioned time frame were considered as both an efficient way of artistic confrontation and an important representation of the state through political propaganda. Documents and diplomatic correspondence from the historical archives of the city of Monza, La Triennale di Milano and the Czech Ministry of Foreign Affairs also declare national enmity and vanity. In 1923, the exhibition in the manner of Czech decorativism with RudolfStockar and Pavel Janák as well as the artistic group Artěl wanted to show a high level of applied arts in the new democratic country and to represent state pride and independency. However, it was clear that folk art and Czech decorativis

Druh

D - Stať ve sborníku

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

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Projekt

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Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

Ephemeral Architecture in Central and Eastern Europe in the 19th and 20th Centuries

ISBN

978-2-343-07232-6

ISSN

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e-ISSN

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Počet stran výsledku

18

Strana od-do

235-252

Název nakladatele

L'Harmattan France

Místo vydání

Paříž

Místo konání akce

Budapešť, Maďarsko

Datum konání akce

28. 11. 2013

Typ akce podle státní příslušnosti

WRD - Celosvětová akce

Kód UT WoS článku

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