(Inter)faces, or how to think faces in the era of cyberfaces

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F19%3A73598939" target="_blank" >RIV/61989592:15210/19:73598939 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.ceeol.com/search/article-detail?id=813409" target="_blank" >https://www.ceeol.com/search/article-detail?id=813409</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

(Inter)faces, or how to think faces in the era of cyberfaces

Popis výsledku v původním jazyce

How do literature, the visual arts, cinema, and music videos invent and explore the manifold aesthetic, political, and socio-cultural dimensions of the face? What are the ways faces catalyze new modes of aesthetics, society, and sociality in the contemporary moment as well as across technological and posthuman futures? Framed by these questions and situated in both the recent debates around the face in humanities and its contemporary uses in various aesthetic forms and cultural practices, the premise of this World Literature Studies issue entitled “(Inter)faces” is to think the face beyond the boundaries of the classical subject and its interiority. Putting our contributions by Pietro Conte, Abraham Geil, Bernhard Siegert, Tomas Jirsa, Mieke Bal, and Time Andrea Lelik into dialogue with each other, we argue that the present shift from subjectivity, interiority, and identity has an important conceptual payoff that allows the face to be explored relationally – as a specific yet non-exclusive cultural object that makes part of a dynamic media network and operative chains, and within various modalities of its linking, connecting, overlapping, and interlacing.

Název v anglickém jazyce

(Inter)faces, or how to think faces in the era of cyberfaces

Popis výsledku anglicky

How do literature, the visual arts, cinema, and music videos invent and explore the manifold aesthetic, political, and socio-cultural dimensions of the face? What are the ways faces catalyze new modes of aesthetics, society, and sociality in the contemporary moment as well as across technological and posthuman futures? Framed by these questions and situated in both the recent debates around the face in humanities and its contemporary uses in various aesthetic forms and cultural practices, the premise of this World Literature Studies issue entitled “(Inter)faces” is to think the face beyond the boundaries of the classical subject and its interiority. Putting our contributions by Pietro Conte, Abraham Geil, Bernhard Siegert, Tomas Jirsa, Mieke Bal, and Time Andrea Lelik into dialogue with each other, we argue that the present shift from subjectivity, interiority, and identity has an important conceptual payoff that allows the face to be explored relationally – as a specific yet non-exclusive cultural object that makes part of a dynamic media network and operative chains, and within various modalities of its linking, connecting, overlapping, and interlacing.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

World Literature Studies

ISSN

1337-9275

e-ISSN

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Svazek periodika

11

Číslo periodika v rámci svazku

4

Stát vydavatele periodika

SK - Slovenská republika

Počet stran výsledku

9

Strana od-do

2-10

Kód UT WoS článku

000507662900001

EID výsledku v databázi Scopus

2-s2.0-85077544901