The strange case of the three-column screenplay format in 1950s Czechoslovakia

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15260%2F20%3A73600781" target="_blank" >RIV/61989592:15260/20:73600781 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.ingentaconnect.com/contentone/intellect/josc/2020/00000011/00000001/art00002" target="_blank" >https://www.ingentaconnect.com/contentone/intellect/josc/2020/00000011/00000001/art00002</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1386/josc_00010_1" target="_blank" >10.1386/josc_00010_1</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The strange case of the three-column screenplay format in 1950s Czechoslovakia

Popis výsledku v původním jazyce

In the nationalized Czechoslovak film industry, between 1952 and 1956, eight very rare three-column screenplays appeared. The historical evidence of this different screenplay format has been overlooked by historians up to now. Three-column screenplays are not just a dead end of screenwriting practice; they can also be read as evidence of basic tendencies within the Czechoslovak film industry in the 1950s. One effect of nationalization of the film industry was the attempt to standardize the organization of script development. The administrative intervention caused the modification of the script format, but instead of standardization, the effect was a multitude of formats, of which the three-column technical screenplays were a by-product. In this article I read these three-column screenplays within the industry context of the first half of the 1950s in Czechoslovakia and offer an in-depth analysis of particular three-column screenplays.

Název v anglickém jazyce

The strange case of the three-column screenplay format in 1950s Czechoslovakia

Popis výsledku anglicky

In the nationalized Czechoslovak film industry, between 1952 and 1956, eight very rare three-column screenplays appeared. The historical evidence of this different screenplay format has been overlooked by historians up to now. Three-column screenplays are not just a dead end of screenwriting practice; they can also be read as evidence of basic tendencies within the Czechoslovak film industry in the 1950s. One effect of nationalization of the film industry was the attempt to standardize the organization of script development. The administrative intervention caused the modification of the script format, but instead of standardization, the effect was a multitude of formats, of which the three-column technical screenplays were a by-product. In this article I read these three-column screenplays within the industry context of the first half of the 1950s in Czechoslovakia and offer an in-depth analysis of particular three-column screenplays.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Journal of Screenwriting

ISSN

1759-7137

e-ISSN

—

Svazek periodika

11

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

20

Strana od-do

7-26

Kód UT WoS článku

000528261000002

EID výsledku v databázi Scopus

2-s2.0-85087953932