Cineinterespacio and Composing Film

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F62156462%3A54510%2F24%3A00000032" target="_blank" >RIV/62156462:54510/24:00000032 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.ineff.org/workshops-and-installation.html" target="_blank" >https://www.ineff.org/workshops-and-installation.html</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Cineinterespacio and Composing Film

Popis výsledku v původním jazyce

Cineinterespacio or variation of realization approaches in audiovisual creation is my own concept for creative work. It directs the point of view to the conscious and subconscious free creation itself. For a long time, all arts have communicated across without major barriers, the proof is museums and galleries, where we can clearly see before our eyes the intersections between, architecture, ceramics, sculpture, theater and poetry - mathematics and seafaring. I perceive audiovisual production in the same way. This is not a return to rudimentary film, which at the beginning of cinema suffered from theatricality clumsily transferred to the screen. For work based on cineinterspacio, it is important to emphasize the creative and content aspects in audiovisual production with all alternatives of overlaps. For me, it is a space for working with memory, with perception, with awareness and with formulating one's own attitudes through one's own performative means. It is the conquest of reality, which we transform in order to communicate something to others. I explore the internal limits of the dynamic structure of what can be within the framework of fiction cinema. Stopping with special interest in the aspects of sound and editing and on also in the concepts of a new form of script and a new vision of camera work. So that it is not subject to conventions that may violate the content and objectives of the authors in film creation. In other words the question is if a ideological agreement within the film crew is important in order not to become a victim of film production clichés and false aestheticizing stereotypes. Also I consider as fundamental for film the strargical iportance of film music. And also the relevance of the sound-design for the filmaking and multimedia.

Název v anglickém jazyce

Cineinterespacio and Composing Film

Popis výsledku anglicky

Cineinterespacio or variation of realization approaches in audiovisual creation is my own concept for creative work. It directs the point of view to the conscious and subconscious free creation itself. For a long time, all arts have communicated across without major barriers, the proof is museums and galleries, where we can clearly see before our eyes the intersections between, architecture, ceramics, sculpture, theater and poetry - mathematics and seafaring. I perceive audiovisual production in the same way. This is not a return to rudimentary film, which at the beginning of cinema suffered from theatricality clumsily transferred to the screen. For work based on cineinterspacio, it is important to emphasize the creative and content aspects in audiovisual production with all alternatives of overlaps. For me, it is a space for working with memory, with perception, with awareness and with formulating one's own attitudes through one's own performative means. It is the conquest of reality, which we transform in order to communicate something to others. I explore the internal limits of the dynamic structure of what can be within the framework of fiction cinema. Stopping with special interest in the aspects of sound and editing and on also in the concepts of a new form of script and a new vision of camera work. So that it is not subject to conventions that may violate the content and objectives of the authors in film creation. In other words the question is if a ideological agreement within the film crew is important in order not to become a victim of film production clichés and false aestheticizing stereotypes. Also I consider as fundamental for film the strargical iportance of film music. And also the relevance of the sound-design for the filmaking and multimedia.

Druh

O - Ostatní výsledky

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů