Receptions of French Liturgical Music in Bohemia and Central Europe in the High Middle Ages

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985921%3A_____%2F25%3A00644703" target="_blank" >RIV/67985921:_____/25:00644703 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Receptions of French Liturgical Music in Bohemia and Central Europe in the High Middle Ages

Popis výsledku v původním jazyce

The influence of French repertoires on liturgical music in Bohemia in the 13th century is a characteristic but hitherto not systematically researched aspect of Central European music history. Traces of French repertoires can be found in tropes for the Mass and the Benedicamus Domino, in Office chants, as well as in troped lessons and sequences, with evidence mainly coming from St. Vitus Cathedral in Prague and St. George’s Monastery at Prague Castle. In some cases, the constellations of transmission suggest direct connections between Bohemia and France, in other cases they fit into the larger picture of the spread and adaptation of 12th-century French culture east of the Rhine, so that ultimately both Bohemia’s relations with its Central European and South German neighbours and the political and ecclesiastical networks in which agents of transfers are likely to have moved need to be examined. Recent studies on medieval church history point, for example, to the Bishop of Olomouc, Robert (1202–1240), whose possible English origin and studies in Paris could explain contacts between contemporary Western liturgical and Bohemia. Since relationships in the field of liturgical culture do not concern music alone, but also architecture, book decoration and other crafts, and since transfers of liturgical repertoires are usually linked to political and institutional power, the conference aims to evaluate the relationships between France, Bohemia and its Central European neighbours in an interdisciplinary context. This broader panorama promises differentiations to models of historiography, which evaluate centres and peripheries by their participation in abstract global innovation, rather than asking about the overall specifics of local cultures and institutions in which transfer and acculturation took place.

Název v anglickém jazyce

Receptions of French Liturgical Music in Bohemia and Central Europe in the High Middle Ages

Popis výsledku anglicky

The influence of French repertoires on liturgical music in Bohemia in the 13th century is a characteristic but hitherto not systematically researched aspect of Central European music history. Traces of French repertoires can be found in tropes for the Mass and the Benedicamus Domino, in Office chants, as well as in troped lessons and sequences, with evidence mainly coming from St. Vitus Cathedral in Prague and St. George’s Monastery at Prague Castle. In some cases, the constellations of transmission suggest direct connections between Bohemia and France, in other cases they fit into the larger picture of the spread and adaptation of 12th-century French culture east of the Rhine, so that ultimately both Bohemia’s relations with its Central European and South German neighbours and the political and ecclesiastical networks in which agents of transfers are likely to have moved need to be examined. Recent studies on medieval church history point, for example, to the Bishop of Olomouc, Robert (1202–1240), whose possible English origin and studies in Paris could explain contacts between contemporary Western liturgical and Bohemia. Since relationships in the field of liturgical culture do not concern music alone, but also architecture, book decoration and other crafts, and since transfers of liturgical repertoires are usually linked to political and institutional power, the conference aims to evaluate the relationships between France, Bohemia and its Central European neighbours in an interdisciplinary context. This broader panorama promises differentiations to models of historiography, which evaluate centres and peripheries by their participation in abstract global innovation, rather than asking about the overall specifics of local cultures and institutions in which transfer and acculturation took place.

Druh

M - Uspořádání konference

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GF24-10511K" target="_blank" >GF24-10511K: Recepce francouzské liturgické hudby ve střední Evropě ve vrcholném středověku</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Místo konání akce

Prague

Stát konání akce

CZ - Česká republika

Datum zahájení akce

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Datum ukončení akce

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Celkový počet účastníků

24

Počet zahraničních účastníků

12

Typ akce podle státní přísl. účastníků

WRD - Celosvětová akce