How to get Diogenes on the Stage

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F19%3A00518252" target="_blank" >RIV/67985955:_____/19:00518252 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

How to get Diogenes on the Stage

Popis výsledku v původním jazyce

As a character of a theater play Diogenes first appeared in a dialogue by Hans Sachs. Many other plays followed in which this character played main or supporting role. The contribution compares various approaches to dramatizing life of the aforesaid philosopher. However, the author of the paper primarily deals with sources of a play Diogenes Cynicus redivivus (1640) by Johannes Amos Comenius and (inter alia) partly solves the question why this Czech playwright in Polish exile choose Diogenes as a hero of his school play (staged in Leszno, Greater Poland). Another question is how the author succeded in true depiction of the world of ancient Greece on the stage. The mistakes Comenius made only correspond to the level of knowledge of his time. However, the play was set apart from the other adaptations, by the author’s serious attempt to portrait the life of Diogenes as a whole, as an educative material about him. This is also the way the play was perceived by author’s contemporaries.

Název v anglickém jazyce

How to get Diogenes on the Stage

Popis výsledku anglicky

As a character of a theater play Diogenes first appeared in a dialogue by Hans Sachs. Many other plays followed in which this character played main or supporting role. The contribution compares various approaches to dramatizing life of the aforesaid philosopher. However, the author of the paper primarily deals with sources of a play Diogenes Cynicus redivivus (1640) by Johannes Amos Comenius and (inter alia) partly solves the question why this Czech playwright in Polish exile choose Diogenes as a hero of his school play (staged in Leszno, Greater Poland). Another question is how the author succeded in true depiction of the world of ancient Greece on the stage. The mistakes Comenius made only correspond to the level of knowledge of his time. However, the play was set apart from the other adaptations, by the author’s serious attempt to portrait the life of Diogenes as a whole, as an educative material about him. This is also the way the play was perceived by author’s contemporaries.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

<a href="/cs/project/GB14-37038G" target="_blank" >GB14-37038G: Mezi renesancí a barokem: Filosofie a vědění v českých zemích a jejich širší evropský kontext</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Theory and Practice in 17th-19th Century Theatre: Sources, Influences, Texts in Latin and in the Vernacular, Ways towards Professional Stage

ISBN

978-963-496-129-1

Počet stran výsledku

8

Strana od-do

33-40

Počet stran knihy

328

Název nakladatele

Kiadó

Místo vydání

Eger

Kód UT WoS kapitoly

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