The Muting of the Other: The Technological Reconfiguration of Our Auditory Experience of Others
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F21%3A00546605" target="_blank" >RIV/67985955:_____/21:00546605 - isvavai.cz</a>
Výsledek na webu
<a href="https://doi.org/10.1515/opphil-2020-0179" target="_blank" >https://doi.org/10.1515/opphil-2020-0179</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1515/opphil-2020-0179" target="_blank" >10.1515/opphil-2020-0179</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Muting of the Other: The Technological Reconfiguration of Our Auditory Experience of Others
Popis výsledku v původním jazyce
Increasingly privatized auditory spaces resulting from the mutual engendering of auditory cultural practices and sound technologies that separated the sense of hearing and segmented acoustic spaces have had a muting effect on our experience of Others that has intensified since the advent of mobile listening devices. In Section 1 of the article, I outline features of the social realm of the nineteenth to twentieth centuries that made modern sound technologies possible and then features of the technological realm that have shaped today’s social realm - all with an eye toward our experience of other people. Then, in Section 2, I reach for a few phenomenological tools from the work of Jean-Paul Sartre, Emmanuel Levinas, and Don Ihde to draw out the phenomenological vectors that have taken shape within the enmeshed sociotechnological context described in Section 1. Specifically, I show how technologically mediated auditory experience has been individualized and how the use of sound technologies on the go - whether wearing earphones or in a car - has had a muting effect on our experience of others.
Název v anglickém jazyce
The Muting of the Other: The Technological Reconfiguration of Our Auditory Experience of Others
Popis výsledku anglicky
Increasingly privatized auditory spaces resulting from the mutual engendering of auditory cultural practices and sound technologies that separated the sense of hearing and segmented acoustic spaces have had a muting effect on our experience of Others that has intensified since the advent of mobile listening devices. In Section 1 of the article, I outline features of the social realm of the nineteenth to twentieth centuries that made modern sound technologies possible and then features of the technological realm that have shaped today’s social realm - all with an eye toward our experience of other people. Then, in Section 2, I reach for a few phenomenological tools from the work of Jean-Paul Sartre, Emmanuel Levinas, and Don Ihde to draw out the phenomenological vectors that have taken shape within the enmeshed sociotechnological context described in Section 1. Specifically, I show how technologically mediated auditory experience has been individualized and how the use of sound technologies on the go - whether wearing earphones or in a car - has had a muting effect on our experience of others.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60301 - Philosophy, History and Philosophy of science and technology
Návaznosti výsledku
Projekt
<a href="/cs/project/GA20-27355S" target="_blank" >GA20-27355S: Fenomenologická zkoumání zvukových prostředí</a><br>
Návaznosti
I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2021
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Open Philosophy
ISSN
2543-8875
e-ISSN
2543-8875
Svazek periodika
4
Číslo periodika v rámci svazku
1
Stát vydavatele periodika
PL - Polská republika
Počet stran výsledku
11
Strana od-do
179-189
Kód UT WoS článku
000701264200006
EID výsledku v databázi Scopus
2-s2.0-85116099997