Ludic Turns. Challenging the Tragedy/Comedy Dichotomy

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F67985955%3A_____%2F24%3A00588200" target="_blank" >RIV/67985955:_____/24:00588200 - isvavai.cz</a>

Výsledek na webu

<a href="https://doi.org/10.4324/9780429266393-10" target="_blank" >https://doi.org/10.4324/9780429266393-10</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.4324/9780429266393-10" target="_blank" >10.4324/9780429266393-10</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Ludic Turns. Challenging the Tragedy/Comedy Dichotomy

Popis výsledku v původním jazyce

The gradually emerging dialogue between Alice Koubová and Freddie Rokem challenges the traditional hegemonic dichotomy between tragedy and comedy by exploring the instability and the potential of the notion of the “ludic” as the experience or site through which this traditional genre divide is contested, displaced and subverted. The dialogue sets out from two different disciplinary points of departure, gradually negotiating the compatibility of the two approaches. Koubová begins by claiming that since subjectivity has been destabilized through modernity, it can be most aptly understood through different aspects of play, playfulness, ludic ethos, and ludic subjectivity. She explores how “play” links together thinkers preoccupied with human ontology and theatricality (Huizinga, Caillois, Goffman, Fink, Turner and Schechner, Sutton-Smith), emotional and ethical development through play (Klein, Winnicott, Fink, Spariousu) and ludic aspects in theater and acting (Dürrenmatt or Brecht). Rokem approaches the “ludic” by examining the aesthetic practices (or the machinery) of the theater and in particular of eavesdropping, which is a frequently-occurring scenic construction and a mise en abyme of this practice, even serving as a central feature of its dispositive. Exemplifying with scenes from Hamlet and Tartuffe, and with Foucault’s heterotopic mirror, he argues that eavesdropping scenes serve as a model for/of genre instability.

Název v anglickém jazyce

Ludic Turns. Challenging the Tragedy/Comedy Dichotomy

Popis výsledku anglicky

The gradually emerging dialogue between Alice Koubová and Freddie Rokem challenges the traditional hegemonic dichotomy between tragedy and comedy by exploring the instability and the potential of the notion of the “ludic” as the experience or site through which this traditional genre divide is contested, displaced and subverted. The dialogue sets out from two different disciplinary points of departure, gradually negotiating the compatibility of the two approaches. Koubová begins by claiming that since subjectivity has been destabilized through modernity, it can be most aptly understood through different aspects of play, playfulness, ludic ethos, and ludic subjectivity. She explores how “play” links together thinkers preoccupied with human ontology and theatricality (Huizinga, Caillois, Goffman, Fink, Turner and Schechner, Sutton-Smith), emotional and ethical development through play (Klein, Winnicott, Fink, Spariousu) and ludic aspects in theater and acting (Dürrenmatt or Brecht). Rokem approaches the “ludic” by examining the aesthetic practices (or the machinery) of the theater and in particular of eavesdropping, which is a frequently-occurring scenic construction and a mise en abyme of this practice, even serving as a central feature of its dispositive. Exemplifying with scenes from Hamlet and Tartuffe, and with Foucault’s heterotopic mirror, he argues that eavesdropping scenes serve as a model for/of genre instability.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60301 - Philosophy, History and Philosophy of science and technology

Projekt

<a href="/cs/project/LX22NPO5101" target="_blank" >LX22NPO5101: Národní institut pro výzkum socioekonomických dopadů nemocí a systémových rizik</a><br>

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Genre Transgressions: Dialogues on Tragedy and Comedy

ISBN

978-0-367-21830-0

Počet stran výsledku

19

Strana od-do

128-146

Počet stran knihy

285

Název nakladatele

Routledge

Místo vydání

Abingdon

Kód UT WoS kapitoly

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