The modularity of the ‘revolutionary’ repertoire of action in Egypt: origins and appropriation by different players

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378009%3A_____%2F18%3A00490051" target="_blank" >RIV/68378009:_____/18:00490051 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.1080/14742837.2017.1377602" target="_blank" >http://dx.doi.org/10.1080/14742837.2017.1377602</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/14742837.2017.1377602" target="_blank" >10.1080/14742837.2017.1377602</a>

Jazyk výsledku

angličtina

Název v původním jazyce

The modularity of the ‘revolutionary’ repertoire of action in Egypt: origins and appropriation by different players

Popis výsledku v původním jazyce

The Egyptian ‘revolutionary’ repertoire of action, that is to say the repertoire used by the protesters of January 2011, was characterized by a combination of several features: occupation of a symbolic place, ‘horizontal’ forms of organization, recourse to new electronic information and communication technologies (especially social networks), and rhetoric centered around universal values such as dignity, social justice, human rights, and democracy. This repertoire was born as a result of the merging of two parallel cycles of mobilization, which had actually started during the previous decade, one animated by activists from the educated middle class, and the other by workers struggling for economic and social reforms. After the fall of Hosni Mubarak in February 2011, it demonstrated its extreme modularity, being appropriated by different players from all sections of the political spectrum, from the Salafist hāzimūn to proponents of the military power.

Název v anglickém jazyce

The modularity of the ‘revolutionary’ repertoire of action in Egypt: origins and appropriation by different players

Popis výsledku anglicky

The Egyptian ‘revolutionary’ repertoire of action, that is to say the repertoire used by the protesters of January 2011, was characterized by a combination of several features: occupation of a symbolic place, ‘horizontal’ forms of organization, recourse to new electronic information and communication technologies (especially social networks), and rhetoric centered around universal values such as dignity, social justice, human rights, and democracy. This repertoire was born as a result of the merging of two parallel cycles of mobilization, which had actually started during the previous decade, one animated by activists from the educated middle class, and the other by workers struggling for economic and social reforms. After the fall of Hosni Mubarak in February 2011, it demonstrated its extreme modularity, being appropriated by different players from all sections of the political spectrum, from the Salafist hāzimūn to proponents of the military power.

Druh

J_SC - Článek v periodiku v databázi SCOPUS

CEP obor

—

OECD FORD obor

50401 - Sociology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Social Movement Studies

ISSN

1474-2837

e-ISSN

—

Svazek periodika

17

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

US - Spojené státy americké

Počet stran výsledku

6

Strana od-do

113-118

Kód UT WoS článku

000428112800010

EID výsledku v databázi Scopus

2-s2.0-85029498189