Cultural Memory, Underground and Mainstream Culture Reminiscences in the Czech Republic

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378076%3A_____%2F19%3A00524897" target="_blank" >RIV/68378076:_____/19:00524897 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/17411912.2020.1755332?scroll=top&needAccess=true" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/17411912.2020.1755332?scroll=top&needAccess=true</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/17411912.2020.1755332" target="_blank" >10.1080/17411912.2020.1755332</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Cultural Memory, Underground and Mainstream Culture Reminiscences in the Czech Republic

Popis výsledku v původním jazyce

This case study is based on ethnomusicological fieldwork and interviews conducted with two contemporary performers in the Czech Republic, the underground singer Dáša Vokatá and the popular actor Oldřich Kaiser, whose joint performances are based on reminiscences of Czech underground as well as mainstream culture during late Socialism. The paper explores cultural and communicative memory and musical activities regarded as mnemonic products and practices, aiming to demonstrate the process of transition of significant aspects of communicative memory to the domain of cultural memory and to identify the reason for their success in the contemporary commercial music scene.

Název v anglickém jazyce

Cultural Memory, Underground and Mainstream Culture Reminiscences in the Czech Republic

Popis výsledku anglicky

This case study is based on ethnomusicological fieldwork and interviews conducted with two contemporary performers in the Czech Republic, the underground singer Dáša Vokatá and the popular actor Oldřich Kaiser, whose joint performances are based on reminiscences of Czech underground as well as mainstream culture during late Socialism. The paper explores cultural and communicative memory and musical activities regarded as mnemonic products and practices, aiming to demonstrate the process of transition of significant aspects of communicative memory to the domain of cultural memory and to identify the reason for their success in the contemporary commercial music scene.

Druh

J_imp - Článek v periodiku v databázi Web of Science

CEP obor

—

OECD FORD obor

50404 - Anthropology, ethnology

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2019

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Ethnomusicology Forum

ISSN

1741-1912

e-ISSN

—

Svazek periodika

28

Číslo periodika v rámci svazku

3

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

21

Strana od-do

362-383

Kód UT WoS článku

000532140000001

EID výsledku v databázi Scopus

2-s2.0-85084264702