Film Industries and Filmmakers between State Patronage and the Free Market

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F68378114%3A_____%2F25%3A00646105" target="_blank" >RIV/68378114:_____/25:00646105 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.4324/9781003303466" target="_blank" >http://dx.doi.org/10.4324/9781003303466</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.4324/9781003303466" target="_blank" >10.4324/9781003303466</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Film Industries and Filmmakers between State Patronage and the Free Market

Popis výsledku v původním jazyce

This chapter maps the transformation of film industries in Central and Eastern Europe after 1989, with a special focus on Poland and Czech Republic. It examines how policies of privatization of existing film infrastructure led to greater tendencies toward commercialization and analyzes the reactions of filmmakers to these changes. While some actors—particularly an older generation of established filmmakers—understood film as “art,” private producers and a younger generation of filmmakers were more ready to approach film as “commodity.” This chapter explores this tension, arguing that the transformation of postsocialist film industries needs to be understood within a double framework of changing financial conditions and longer cultural continuities. The final part of the chapter looks at the ways in which, within these conditions, filmmakers attempted to portray the social and economic changes they witnessed.

Název v anglickém jazyce

Film Industries and Filmmakers between State Patronage and the Free Market

Popis výsledku anglicky

This chapter maps the transformation of film industries in Central and Eastern Europe after 1989, with a special focus on Poland and Czech Republic. It examines how policies of privatization of existing film infrastructure led to greater tendencies toward commercialization and analyzes the reactions of filmmakers to these changes. While some actors—particularly an older generation of established filmmakers—understood film as “art,” private producers and a younger generation of filmmakers were more ready to approach film as “commodity.” This chapter explores this tension, arguing that the transformation of postsocialist film industries needs to be understood within a double framework of changing financial conditions and longer cultural continuities. The final part of the chapter looks at the ways in which, within these conditions, filmmakers attempted to portray the social and economic changes they witnessed.

Druh

C - Kapitola v odborné knize

CEP obor

—

OECD FORD obor

60101 - History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2025

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Routledge Handbook of 1989 and the Great Transformation

ISBN

9781032301082

Počet stran výsledku

11

Strana od-do

250-261

Počet stran knihy

546

Název nakladatele

Routledge

Místo vydání

Abingdon

Kód UT WoS kapitoly

—