Public Spectacles in Restoration England: The Theatricality of the Political and the Birth of Celebrity Culture

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216208%3A11210%2F16%3A10363065" target="_blank" >RIV/00216208:11210/16:10363065 - isvavai.cz</a>

Výsledek na webu

<a href="https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=rzj72it1un" target="_blank" >https://verso.is.cuni.cz/pub/verso.fpl?fname=obd_publikace_handle&handle=rzj72it1un</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Public Spectacles in Restoration England: The Theatricality of the Political and the Birth of Celebrity Culture

Popis výsledku v původním jazyce

The jigsaw puzzle of the late Stuart period comprised a myriad of pieces, ranging from the advent of women actors to the emergence of Whig and Tory ideologies. Based on contemporary documents, literary works and written sources of a private nature, such as the Declaration of Breda, Aphra Behn&apos;s The Feigned Courtesans and The Diary of Samuel Pepys, this paper explores some public spectacles which shaped popular tastes, opinions and attitudes of late seventeenth-century English society, whose heart was London. Employed as powerful tools of mass manipulation by the King&apos;s state apparatus, magnificent royal rituals, gruesome public executions and witty dramas with political subtexts had a powerful indoctrinating effect on the minds and souls of the subjects involved. Drawing on Guy Debord and Michel Foucault, the paper offers a glimpse into the idiosyncrasies of the spectacular Restoration propaganda machine, as well as spotlighting the emerging phenomenon of celebrity cult.

Název v anglickém jazyce

Public Spectacles in Restoration England: The Theatricality of the Political and the Birth of Celebrity Culture

Popis výsledku anglicky

The jigsaw puzzle of the late Stuart period comprised a myriad of pieces, ranging from the advent of women actors to the emergence of Whig and Tory ideologies. Based on contemporary documents, literary works and written sources of a private nature, such as the Declaration of Breda, Aphra Behn&apos;s The Feigned Courtesans and The Diary of Samuel Pepys, this paper explores some public spectacles which shaped popular tastes, opinions and attitudes of late seventeenth-century English society, whose heart was London. Employed as powerful tools of mass manipulation by the King&apos;s state apparatus, magnificent royal rituals, gruesome public executions and witty dramas with political subtexts had a powerful indoctrinating effect on the minds and souls of the subjects involved. Drawing on Guy Debord and Michel Foucault, the paper offers a glimpse into the idiosyncrasies of the spectacular Restoration propaganda machine, as well as spotlighting the emerging phenomenon of celebrity cult.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60205 - Literary theory

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Hradec Králové Journal of Anglophone Studies

ISSN

2336-3347

e-ISSN

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Svazek periodika

3

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

9

Strana od-do

81-89

Kód UT WoS článku

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EID výsledku v databázi Scopus

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