Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00111656" target="_blank" >RIV/00216224:14210/19:00111656 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.cognitive-futures.com/images/downloads/Cognitive-Futures-2019_Program_190616_lq.pdf" target="_blank" >https://www.cognitive-futures.com/images/downloads/Cognitive-Futures-2019_Program_190616_lq.pdf</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas
Popis výsledku v původním jazyce
In my paper I present the results of analysis of various productions of Verdi’s operas Macbeth and Otello. Special attention is given to scenography of the productions as an evidence of key audio-visual metaphors (see e.g. Fahlenbrach 2010; 2016) incorporated in the directors’ concept. I focus on particular metaphors included in Shakespeare’s play that enter the stage via Verdi’s opera. Scenography – which I understand both as visual and audial means of expression – reflects the guidance of human senses for the purpose of emphasising and expressing the key concepts of Shakespeare’s and Verdi’s work. I analyse dynamics / kinetics of scenography which is used to guide viewer’s senses through appeal to concepts of evil, and good.
Název v anglickém jazyce
Fall of evil, fall of good : Towards Cognitive Analysis of Performances of Verdi’s Shakespearean Operas
Popis výsledku anglicky
In my paper I present the results of analysis of various productions of Verdi’s operas Macbeth and Otello. Special attention is given to scenography of the productions as an evidence of key audio-visual metaphors (see e.g. Fahlenbrach 2010; 2016) incorporated in the directors’ concept. I focus on particular metaphors included in Shakespeare’s play that enter the stage via Verdi’s opera. Scenography – which I understand both as visual and audial means of expression – reflects the guidance of human senses for the purpose of emphasising and expressing the key concepts of Shakespeare’s and Verdi’s work. I analyse dynamics / kinetics of scenography which is used to guide viewer’s senses through appeal to concepts of evil, and good.
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
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OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
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Návaznosti
S - Specificky vyzkum na vysokych skolach<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů