Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F19%3A00111657" target="_blank" >RIV/00216224:14210/19:00111657 - isvavai.cz</a>
Výsledek na webu
<a href="http://esra2019.it/" target="_blank" >http://esra2019.it/</a>
DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000
Popis výsledku v původním jazyce
After the Velvet Revolution, Giuseppe Verdi’s Shakespearean opera Macbeth has been staged in the Czech Republic several times. In my paper I analyse the 21-century productions of Giuseppe Verdi’s Shakespearean opera Macbeth in the most prominent Czech theatres. Special attention is paid to scenography of the productions through the lens of audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors rooted in Shakespeare’s play that enter the stage via Verdi’s opera and stage direction. As visual and audial means of expression, scenography has a potential to express key concepts of Shakespeare’s and Verdi’s work, such as emphasizing – via stage/audio-visual metaphors – dynamics of power, evil, forces of nature and some other.
Název v anglickém jazyce
Space for Performing Dynamics of Power : Scenography for Verdi’s Macbeth in the Czech Republic after 2000
Popis výsledku anglicky
After the Velvet Revolution, Giuseppe Verdi’s Shakespearean opera Macbeth has been staged in the Czech Republic several times. In my paper I analyse the 21-century productions of Giuseppe Verdi’s Shakespearean opera Macbeth in the most prominent Czech theatres. Special attention is paid to scenography of the productions through the lens of audio-visual metaphors incorporated in the directors’ conceptions. I focus on particular metaphors rooted in Shakespeare’s play that enter the stage via Verdi’s opera and stage direction. As visual and audial means of expression, scenography has a potential to express key concepts of Shakespeare’s and Verdi’s work, such as emphasizing – via stage/audio-visual metaphors – dynamics of power, evil, forces of nature and some other.
Klasifikace
Druh
O - Ostatní výsledky
CEP obor
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OECD FORD obor
60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)
Návaznosti výsledku
Projekt
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Návaznosti
S - Specificky vyzkum na vysokych skolach<br>I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace
Ostatní
Rok uplatnění
2019
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů