Interpretation of cultural codes in the context of the intersemiotic translation of Romain Gary's novel "La promesse de l’aube" in cinematographic language

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14210%2F22%3A00130396" target="_blank" >RIV/00216224:14210/22:00130396 - isvavai.cz</a>

Výsledek na webu

<a href="http://condisdiscon.blogspot.com/2015/02/" target="_blank" >http://condisdiscon.blogspot.com/2015/02/</a>

DOI - Digital Object Identifier

—

Jazyk výsledku

francouzština

Název v původním jazyce

Interprétation des codes culturels dans le cadre de la traduction intersémiotique du roman de Romain Gary "La promesse de l’aube" dans le langage cinématographique

Popis výsledku v původním jazyce

The article is dedicated to the interpretation of cultural codes within the framework of the intersemiotic translation of the novel by Romain Gary "Promise at Dawn" into cinematographic language. As research material, we used the novel "Promise at Dawn" (1960) and the film by Éric Barbier (2017) porting the same name. As a theory basis for the article, we use the division of translation into intralinguistic, interlinguistic and intersemiotic, proposed by Roman Jakobson. The specifics of intersemiotic translation is determined by the presence of several interpretative levels in it, which inevitably involves a dialogue with the source text. The focus of the article is on the methods of recoding cultural meanings and the opportunities that the semiotic system of film language provides for this, and the modifications used for this transformation. Special attention is dedicated to the transformation of the verbal into non-verbal and the role of the artistic details in creating the perception of the world within the framework of the movie.

Název v anglickém jazyce

Interpretation of cultural codes in the context of the intersemiotic translation of Romain Gary's novel "La promesse de l’aube" in cinematographic language

Popis výsledku anglicky

The article is dedicated to the interpretation of cultural codes within the framework of the intersemiotic translation of the novel by Romain Gary "Promise at Dawn" into cinematographic language. As research material, we used the novel "Promise at Dawn" (1960) and the film by Éric Barbier (2017) porting the same name. As a theory basis for the article, we use the division of translation into intralinguistic, interlinguistic and intersemiotic, proposed by Roman Jakobson. The specifics of intersemiotic translation is determined by the presence of several interpretative levels in it, which inevitably involves a dialogue with the source text. The focus of the article is on the methods of recoding cultural meanings and the opportunities that the semiotic system of film language provides for this, and the modifications used for this transformation. Special attention is dedicated to the transformation of the verbal into non-verbal and the role of the artistic details in creating the perception of the world within the framework of the movie.

Druh

D - Stať ve sborníku

CEP obor

—

OECD FORD obor

60203 - Linguistics

Projekt

—

Návaznosti

N - Vyzkumna aktivita podporovana z neverejnych zdroju

Rok uplatnění

2022

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název statě ve sborníku

CONCORDIA DISCORS vs DISCORDIA CONCORS Researches into Comparative Literature, Contrastive Linguistics, Cross-Cultural and Translation Strategies. INTERMEDIALITY : TRANSLATION, ADAPTATION, PERFORMANCE (I)

ISBN

—

ISSN

2065-4057

e-ISSN

—

Počet stran výsledku

8

Strana od-do

143-150

Název nakladatele

Ştefan cel Mare University Press Suceava

Místo vydání

Suceava

Místo konání akce

Suceava

Datum konání akce

1. 1. 2022

Typ akce podle státní příslušnosti

EUR - Evropská akce

Kód UT WoS článku

—