Online Piracy and the Transformation of the Audiences’ Practices: The Case of the Czech Republic

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F00216224%3A14230%2F16%3A00088103" target="_blank" >RIV/00216224:14230/16:00088103 - isvavai.cz</a>

Výsledek na webu

<a href="http://www.bloomsbury.com/uk/the-aesthetics-and-ethics-of-copying-9781474254519/" target="_blank" >http://www.bloomsbury.com/uk/the-aesthetics-and-ethics-of-copying-9781474254519/</a>

DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Online Piracy and the Transformation of the Audiences’ Practices: The Case of the Czech Republic

Popis výsledku v původním jazyce

This empirical-research-based chapter focuses on the Czech post-TV audiences and their uses of alternative and non-authorized online sources of films and TV series. The chapter draws on descriptive data from a representative survey of the Czech population (2014) and on two distinct qualitative inquiries into the everyday practices of Czech audiences (2012-2015). In the text we reconstruct the general picture of the post-TV practices related to the consumption of "pirated" content and we map the audiences' motivations for such practices as well as the audiences' ethical reflexivity regarding the phenomenon. At the same time, we focus on the ways that members of the post-TV audiences choose particular technological interfaces and sources of content as well as the particular content they consume. In this regard, we identify three major distinct modes of content choice: expert curation, social curation and data-consultation curation.

Název v anglickém jazyce

Online Piracy and the Transformation of the Audiences’ Practices: The Case of the Czech Republic

Popis výsledku anglicky

This empirical-research-based chapter focuses on the Czech post-TV audiences and their uses of alternative and non-authorized online sources of films and TV series. The chapter draws on descriptive data from a representative survey of the Czech population (2014) and on two distinct qualitative inquiries into the everyday practices of Czech audiences (2012-2015). In the text we reconstruct the general picture of the post-TV practices related to the consumption of "pirated" content and we map the audiences' motivations for such practices as well as the audiences' ethical reflexivity regarding the phenomenon. At the same time, we focus on the ways that members of the post-TV audiences choose particular technological interfaces and sources of content as well as the particular content they consume. In this regard, we identify three major distinct modes of content choice: expert curation, social curation and data-consultation curation.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

50800 - Media and communications

Projekt

<a href="/cs/project/GP13-15684P" target="_blank" >GP13-15684P: Nová a stará média v každodenním životě: mediální publika v čase proměny mediálních praxí</a><br>

Návaznosti

P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Aesthetics and Ethics of Copying

ISBN

9781474254519

Počet stran výsledku

24

Strana od-do

335-358

Počet stran knihy

432

Název nakladatele

Bloomsbury Publishing

Místo vydání

London

Kód UT WoS kapitoly

000389635000019