Online Piracy and the Transformation of the Audiences' Practices: Case of the Czech Republic

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F16%3A33162875" target="_blank" >RIV/61989592:15210/16:33162875 - isvavai.cz</a>

Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Online Piracy and the Transformation of the Audiences' Practices: Case of the Czech Republic

Popis výsledku v původním jazyce

The evidence-based paper focuses on the ways the Czech audiences use alternative and illegal sources of media content (films, TV series, music). The paper draws on descriptive data from a representative survey of the Czech population (N=1998, November 2014) and on qualitative inquiry into the everyday practices of the Czech audiences (2012-2015). Our aim is to reconstruct the general picture of the practices related to the consumption of 'pirated' content and to understand to the audiences' motivations for such agency as well as to the audiences' ethical reflexivity of the phenomenon. We address the topic from the theoretical standpoint of critical theory of technology (A. Feenberg) and of the critical and phenomenological approaches to the position of media-related practices within the contexts of everyday life (R. Silverstone, M. Bakardjieva, S. Livingstone). In this regard, we avoid both media-centric and normative approach to the topic. Instead, we employ the context-oriented approach taking into the account the fact that the consumption of content from illegal sources is part of broader sets of practices and that it is subordinated to particular moral economies.

Název v anglickém jazyce

Online Piracy and the Transformation of the Audiences' Practices: Case of the Czech Republic

Popis výsledku anglicky

The evidence-based paper focuses on the ways the Czech audiences use alternative and illegal sources of media content (films, TV series, music). The paper draws on descriptive data from a representative survey of the Czech population (N=1998, November 2014) and on qualitative inquiry into the everyday practices of the Czech audiences (2012-2015). Our aim is to reconstruct the general picture of the practices related to the consumption of 'pirated' content and to understand to the audiences' motivations for such agency as well as to the audiences' ethical reflexivity of the phenomenon. We address the topic from the theoretical standpoint of critical theory of technology (A. Feenberg) and of the critical and phenomenological approaches to the position of media-related practices within the contexts of everyday life (R. Silverstone, M. Bakardjieva, S. Livingstone). In this regard, we avoid both media-centric and normative approach to the topic. Instead, we employ the context-oriented approach taking into the account the fact that the consumption of content from illegal sources is part of broader sets of practices and that it is subordinated to particular moral economies.

Druh

C - Kapitola v odborné knize

CEP obor

AA - Filosofie a náboženství

OECD FORD obor

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Projekt

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Návaznosti

S - Specificky vyzkum na vysokych skolach

Rok uplatnění

2016

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

The Aesthetics and Ethics of Copying

ISBN

978-1-4742-5451-9

Počet stran výsledku

24

Strana od-do

"335-358"

Počet stran knihy

432

Název nakladatele

Bloomsbury Publishing

Místo vydání

London

Kód UT WoS kapitoly

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