The Future of Teaching to Opera Singers: Strategies to Follow or Non to Follow
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F49777513%3A23670%2F18%3A43952890" target="_blank" >RIV/49777513:23670/18:43952890 - isvavai.cz</a>
Výsledek na webu
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DOI - Digital Object Identifier
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Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Future of Teaching to Opera Singers: Strategies to Follow or Non to Follow
Popis výsledku v původním jazyce
The needs of opera singers studying Italian or German as a foreign language differ completely from those of other kinds of students’ studying these languages for other purposes and must indeed include translation. The aim of this paper is to provide an overview of the research which has already been conducted – based on the teaching model applied in the contemporary musical education institutions in the Czech Republic – with the aim of finding out the best teaching strategies to follow and avoiding the strategies not to follow. The research includes the analysis of linguistic and extralinguistic aspects that influence the teaching process, the analysis of didactic materials, and tools used in teaching translation, as well as the analysis of specific translations of scores and musical texts; including samples of Italian texts. In accordance with the hypothesis, modern teaching materials and communicative methods are found to be often unsuitable for such specific educational needs, and, as pointed out in the research, only a limited number of other types of materials is available. Specific strategies and also further research into musical text translation are needed. The results of the research are significant especially for teachers of Italian and German as a foreign language working with opera singers.
Název v anglickém jazyce
The Future of Teaching to Opera Singers: Strategies to Follow or Non to Follow
Popis výsledku anglicky
The needs of opera singers studying Italian or German as a foreign language differ completely from those of other kinds of students’ studying these languages for other purposes and must indeed include translation. The aim of this paper is to provide an overview of the research which has already been conducted – based on the teaching model applied in the contemporary musical education institutions in the Czech Republic – with the aim of finding out the best teaching strategies to follow and avoiding the strategies not to follow. The research includes the analysis of linguistic and extralinguistic aspects that influence the teaching process, the analysis of didactic materials, and tools used in teaching translation, as well as the analysis of specific translations of scores and musical texts; including samples of Italian texts. In accordance with the hypothesis, modern teaching materials and communicative methods are found to be often unsuitable for such specific educational needs, and, as pointed out in the research, only a limited number of other types of materials is available. Specific strategies and also further research into musical text translation are needed. The results of the research are significant especially for teachers of Italian and German as a foreign language working with opera singers.
Klasifikace
Druh
D - Stať ve sborníku
CEP obor
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OECD FORD obor
50301 - Education, general; including training, pedagogy, didactics [and education systems]
Návaznosti výsledku
Projekt
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Návaznosti
V - Vyzkumna aktivita podporovana z jinych verejnych zdroju
Ostatní
Rok uplatnění
2018
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název statě ve sborníku
Conference Proceedings. The Future of Education. 8th Edition
ISBN
978-88-335-9020-2
ISSN
2384-9509
e-ISSN
neuvedeno
Počet stran výsledku
6
Strana od-do
485-490
Název nakladatele
Libreria Universitaria
Místo vydání
Padova
Místo konání akce
Florence, Italy
Datum konání akce
28. 6. 2018
Typ akce podle státní příslušnosti
WRD - Celosvětová akce
Kód UT WoS článku
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