Stanislavski in Dialogical Acting with the Inner Partner – In the Neighbourhood with Brecht

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61384984%3A51210%2F18%3AN0000045" target="_blank" >RIV/61384984:51210/18:N0000045 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.tandfonline.com/doi/full/10.1080/20567790.2018.1439674" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/20567790.2018.1439674</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.1080/20567790.2018.1439674" target="_blank" >10.1080/20567790.2018.1439674</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Stanislavski in Dialogical Acting with the Inner Partner – In the Neighbourhood with Brecht

Popis výsledku v původním jazyce

The study introduces a discipline, Dialogical Acting with the Inner Partner, which explores a double existence of an actor in the role and the ability of identifying with the role or distancing from it. The principle of identifying corresponds with Stanislavski’s concept of acting of experiencing and the truthful presence on the stage. The principle of distancing is based on anti-illusionist principles of Brechtian and Russian avant-garde theatre. The integration of these antithetic principles is enabled by the actor’s inner partner (inner spectator) which is understood as an integral component of a triadic concept, author–actor–spectator. The discipline was founded by Czech alternative actor, writer and pedagogue Ivan Vyskočil.

Název v anglickém jazyce

Stanislavski in Dialogical Acting with the Inner Partner – In the Neighbourhood with Brecht

Popis výsledku anglicky

The study introduces a discipline, Dialogical Acting with the Inner Partner, which explores a double existence of an actor in the role and the ability of identifying with the role or distancing from it. The principle of identifying corresponds with Stanislavski’s concept of acting of experiencing and the truthful presence on the stage. The principle of distancing is based on anti-illusionist principles of Brechtian and Russian avant-garde theatre. The integration of these antithetic principles is enabled by the actor’s inner partner (inner spectator) which is understood as an integral component of a triadic concept, author–actor–spectator. The discipline was founded by Czech alternative actor, writer and pedagogue Ivan Vyskočil.

Druh

J_ost - Ostatní články v recenzovaných periodicích

CEP obor

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OECD FORD obor

60403 - Performing arts studies (Musicology, Theater science, Dramaturgy)

Projekt

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Návaznosti

V - Vyzkumna aktivita podporovana z jinych verejnych zdroju

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Stanislavski Studies

ISSN

2056-7790

e-ISSN

2054-4170

Svazek periodika

6, 2018

Číslo periodika v rámci svazku

1

Stát vydavatele periodika

GB - Spojené království Velké Británie a Severního Irska

Počet stran výsledku

5

Strana od-do

79-83

Kód UT WoS článku

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EID výsledku v databázi Scopus

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