Hans Mersmann and the Analysis of the New Music

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F15%3A33157674" target="_blank" >RIV/61989592:15210/15:33157674 - isvavai.cz</a>

Výsledek na webu

—

DOI - Digital Object Identifier

—

Jazyk výsledku

angličtina

Název v původním jazyce

Hans Mersmann and the Analysis of the New Music

Popis výsledku v původním jazyce

The article deals with the concept of new music, which in the 1920s covered considerations about the fundamentally different character of twentieth-century music. It focuses on the definition of new music from its influential proponent, Hans Mersmann, and it primarily looks at the relationship of the concept of new music to Mersmann's phenomenology based on the notion of musical forces. Whereas with his phenomenologically-based aesthetics Mersmann pursued a practically verifiable application - aesthetics applied to concrete musical works - his definition of musical analysis and theory of musical structure cast doubt on the possibility of analytical exploitation of this applied aesthetics with regard to the music of the twentieth century. This uncertainty is confronted with Mersmann's analytical comments on twentieth-century music.

Název v anglickém jazyce

Hans Mersmann and the Analysis of the New Music

Popis výsledku anglicky

The article deals with the concept of new music, which in the 1920s covered considerations about the fundamentally different character of twentieth-century music. It focuses on the definition of new music from its influential proponent, Hans Mersmann, and it primarily looks at the relationship of the concept of new music to Mersmann's phenomenology based on the notion of musical forces. Whereas with his phenomenologically-based aesthetics Mersmann pursued a practically verifiable application - aesthetics applied to concrete musical works - his definition of musical analysis and theory of musical structure cast doubt on the possibility of analytical exploitation of this applied aesthetics with regard to the music of the twentieth century. This uncertainty is confronted with Mersmann's analytical comments on twentieth-century music.

Druh

J_x - Nezařazeno - Článek v odborném periodiku (Jimp, Jsc a Jost)

CEP obor

AL - Umění, architektura, kulturní dědictví

OECD FORD obor

—

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2015

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název periodika

Acta Universitatis Palackianae Olomucensis, Facultas Philosophica, Philosophica - Aesthetica, Musicologica

ISSN

1212-1193

e-ISSN

—

Svazek periodika

22

Číslo periodika v rámci svazku

December 2015

Stát vydavatele periodika

CZ - Česká republika

Počet stran výsledku

11

Strana od-do

109-119

Kód UT WoS článku

—

EID výsledku v databázi Scopus

—