Perception of Space in the Literature of the Five Mountains

Kód výsledku v IS VaVaI

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Výsledek na webu

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DOI - Digital Object Identifier

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Jazyk výsledku

angličtina

Název v původním jazyce

Perception of Space in the Literature of the Five Mountains

Popis výsledku v původním jazyce

: This chapter deals with the issue of spatial perception and description in the literature of the Five Mountains (Gozan bungaku). Several different poems of varying lengths by major poets-monks (Sesson Yūbai, Gidō Shūshin, Zekkai Chūshin and Ikkyū Sōjun) have been analyzed and compared both to a Chinese poem by Xie Lingyun and to a Japanese waka poem by Shōtetsu. It has become evident that there are major differences between individual poems and poets, even though the formal constraints of the Chinese poetic forms have proven to exercise a great deal of influence on spatial description in general. The influence of parallelism on the way spatial distribution of visual phenomena is extensively analyzed in Sesson&apos;s Minzanka. The structure of text worlds is discussed using Gidō&apos;s quatrain. Zekkai&apos;s Living in the Mountains shows how a secondary symbolical meaning can be hidden behind a natural description. Finally, Ikkyū&apos;s poem proves the wide range of medieval Japanese kanshi through comparison with a waka poem on a similar topic.

Název v anglickém jazyce

Perception of Space in the Literature of the Five Mountains

Popis výsledku anglicky

: This chapter deals with the issue of spatial perception and description in the literature of the Five Mountains (Gozan bungaku). Several different poems of varying lengths by major poets-monks (Sesson Yūbai, Gidō Shūshin, Zekkai Chūshin and Ikkyū Sōjun) have been analyzed and compared both to a Chinese poem by Xie Lingyun and to a Japanese waka poem by Shōtetsu. It has become evident that there are major differences between individual poems and poets, even though the formal constraints of the Chinese poetic forms have proven to exercise a great deal of influence on spatial description in general. The influence of parallelism on the way spatial distribution of visual phenomena is extensively analyzed in Sesson&apos;s Minzanka. The structure of text worlds is discussed using Gidō&apos;s quatrain. Zekkai&apos;s Living in the Mountains shows how a secondary symbolical meaning can be hidden behind a natural description. Finally, Ikkyū&apos;s poem proves the wide range of medieval Japanese kanshi through comparison with a waka poem on a similar topic.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60206 - Specific literatures

Projekt

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Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2018

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Crossing Time and Space: From the Perspective of Japanese Studies

ISBN

978-80-85845-93-8

Počet stran výsledku

15

Strana od-do

58-72

Počet stran knihy

269

Název nakladatele

Nová vlna

Místo vydání

Praha

Kód UT WoS kapitoly

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