Lapses, Affects, Supplement: Hiro Murai’s Audiovisual Anachronism

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F20%3A73603388" target="_blank" >RIV/61989592:15210/20:73603388 - isvavai.cz</a>

Výsledek na webu

<a href="https://www.bloomsburycollections.com/book/practical-aesthetics/ch8-lapses-affects-supplement" target="_blank" >https://www.bloomsburycollections.com/book/practical-aesthetics/ch8-lapses-affects-supplement</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5040/9781350116139.0013" target="_blank" >10.5040/9781350116139.0013</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Lapses, Affects, Supplement: Hiro Murai’s Audiovisual Anachronism

Popis výsledku v původním jazyce

Reading the formal affects of anger and violence, as unfolded throughout the ironic reenactment of the American Revolutionary War on the nocturnal periphery of a deserted parking lot in the music video Day Ones (2016), directed by Hiro Murai for the trap music producer Baauer, this chapter argues that the way the music video thinks with history is performative and grounded in a creative betrayal of the past, undermining representation of a historical experience in favor of its affective performance. Suggesting that such a creative betrayal of the past is always already incorporated into the supplementary structure of the music video it also proposes a concept of the audiovisual supplement which takes seriously the double bind of the visual addition and substitution, thus complementing some of the recent voices in the emerging music video turn.

Název v anglickém jazyce

Lapses, Affects, Supplement: Hiro Murai’s Audiovisual Anachronism

Popis výsledku anglicky

Reading the formal affects of anger and violence, as unfolded throughout the ironic reenactment of the American Revolutionary War on the nocturnal periphery of a deserted parking lot in the music video Day Ones (2016), directed by Hiro Murai for the trap music producer Baauer, this chapter argues that the way the music video thinks with history is performative and grounded in a creative betrayal of the past, undermining representation of a historical experience in favor of its affective performance. Suggesting that such a creative betrayal of the past is always already incorporated into the supplementary structure of the music video it also proposes a concept of the audiovisual supplement which takes seriously the double bind of the visual addition and substitution, thus complementing some of the recent voices in the emerging music video turn.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2020

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Practical Aesthetics

ISBN

978-1-350-11610-8

Počet stran výsledku

11

Strana od-do

105-115

Počet stran knihy

280

Název nakladatele

Bloomsbury Publishing

Místo vydání

London

Kód UT WoS kapitoly

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