Rapping a Scandal: The Political Interventions of Central European Music Videos

Kód výsledku v IS VaVaI

<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73621887" target="_blank" >RIV/61989592:15210/24:73621887 - isvavai.cz</a>

Výsledek na webu

<a href="http://dx.doi.org/10.5040/9781501398025.ch-4" target="_blank" >http://dx.doi.org/10.5040/9781501398025.ch-4</a>

DOI - Digital Object Identifier

<a href="http://dx.doi.org/10.5040/9781501398025.ch-4" target="_blank" >10.5040/9781501398025.ch-4</a>

Jazyk výsledku

angličtina

Název v původním jazyce

Rapping a Scandal: The Political Interventions of Central European Music Videos

Popis výsledku v původním jazyce

How do political events and media discourse shape the music video’s aesthetics and reception practices? By what means, in turn, do videos travel into the political space and tangibly interfere with it? Rather than applying the usual representational lens through which political agendas and dispositifs of power in music videos are read, especially the identity politics focusing on questions of race, class, gender, and sexuality, this chapter tackles their performative capacity to migrate into and act upon the political scene and its various mediations. To do so, two Czech music videos J.A.R. ‘Bulháři’ (F. A. Brabec, 1999), PSH: ‘Fuck Off’ (Vít Hradil, 2016) and one Polish ‘Patointeligencja’ (Mariusz Sztykała, 2019) are put in conversation with recent affect theory and approached as parts of a wider sociocultural frame which they co-shape. Attending to the widely uncharted territory of Central European music video through a few Czech and Polish examples, this chapter argues that these audiovisual works intervene into the public space through affective arrangements and become political actors in their own right.

Název v anglickém jazyce

Rapping a Scandal: The Political Interventions of Central European Music Videos

Popis výsledku anglicky

How do political events and media discourse shape the music video’s aesthetics and reception practices? By what means, in turn, do videos travel into the political space and tangibly interfere with it? Rather than applying the usual representational lens through which political agendas and dispositifs of power in music videos are read, especially the identity politics focusing on questions of race, class, gender, and sexuality, this chapter tackles their performative capacity to migrate into and act upon the political scene and its various mediations. To do so, two Czech music videos J.A.R. ‘Bulháři’ (F. A. Brabec, 1999), PSH: ‘Fuck Off’ (Vít Hradil, 2016) and one Polish ‘Patointeligencja’ (Mariusz Sztykała, 2019) are put in conversation with recent affect theory and approached as parts of a wider sociocultural frame which they co-shape. Attending to the widely uncharted territory of Central European music video through a few Czech and Polish examples, this chapter argues that these audiovisual works intervene into the public space through affective arrangements and become political actors in their own right.

Druh

C - Kapitola v odborné knize

CEP obor

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OECD FORD obor

60405 - Studies on Film, Radio and Television

Projekt

—

Návaznosti

I - Institucionalni podpora na dlouhodoby koncepcni rozvoj vyzkumne organizace

Rok uplatnění

2024

Kód důvěrnosti údajů

S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů

Název knihy nebo sborníku

Traveling Music Videos

ISBN

978-1-5013-9799-8

Počet stran výsledku

16

Strana od-do

73-88

Počet stran knihy

288

Název nakladatele

Bloomsbury Academic

Místo vydání

London

Kód UT WoS kapitoly

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