The Metamorphosis of the Novel Moment in Peking in Japan, Taiwan, and China
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F24%3A73628484" target="_blank" >RIV/61989592:15210/24:73628484 - isvavai.cz</a>
Výsledek na webu
<a href="https://journals.uni-lj.si/as/article/view/18671" target="_blank" >https://journals.uni-lj.si/as/article/view/18671</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.4312/as.2024.12.3.151-176" target="_blank" >10.4312/as.2024.12.3.151-176</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Metamorphosis of the Novel Moment in Peking in Japan, Taiwan, and China
Popis výsledku v původním jazyce
"This article focuses on the migration of Lin Yutang’s most-read novel, Moment in Peking (1939), across linguistic, geographic, and media boundaries in East Asia from the 1940s to recent times. It aims to reveal how this novel, originally composed in English and published in the U.S. during the War of Resistance against Japanese Aggression, is translated, adapted, presented, and situated in different literary, cultural and ideological contexts in Mainland China, Taiwan, and Japan.Drawing on the principles of Linda Hutcheon’s theory of adaptation and the Manipulation School’s literary translation studies, my analysis highlights the agency of translators, adaptors and publishers in literary production conditioned by the evolving social, historical and political circumstances. The research contends that the metamorphosis of Moment in Peking embodies a literary power game directly linked to shifts in power dynamics between the three entities. At the cultural level, it provides insights into the intricate interplay of three distinct cultural imageries—competing, conflicting or assimilating within a relational framework.
Název v anglickém jazyce
The Metamorphosis of the Novel Moment in Peking in Japan, Taiwan, and China
Popis výsledku anglicky
"This article focuses on the migration of Lin Yutang’s most-read novel, Moment in Peking (1939), across linguistic, geographic, and media boundaries in East Asia from the 1940s to recent times. It aims to reveal how this novel, originally composed in English and published in the U.S. during the War of Resistance against Japanese Aggression, is translated, adapted, presented, and situated in different literary, cultural and ideological contexts in Mainland China, Taiwan, and Japan.Drawing on the principles of Linda Hutcheon’s theory of adaptation and the Manipulation School’s literary translation studies, my analysis highlights the agency of translators, adaptors and publishers in literary production conditioned by the evolving social, historical and political circumstances. The research contends that the metamorphosis of Moment in Peking embodies a literary power game directly linked to shifts in power dynamics between the three entities. At the cultural level, it provides insights into the intricate interplay of three distinct cultural imageries—competing, conflicting or assimilating within a relational framework.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60204 - General literature studies
Návaznosti výsledku
Projekt
<a href="/cs/project/EH22_010%2F0002593" target="_blank" >EH22_010/0002593: MSCA Fellowships na Univerzitě Palackého v Olomouci I.</a><br>
Návaznosti
P - Projekt vyzkumu a vyvoje financovany z verejnych zdroju (s odkazem do CEP)
Ostatní
Rok uplatnění
2024
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
Asian Studies-Azijske Studije
ISSN
2232-5131
e-ISSN
2350-4226
Svazek periodika
XII
Číslo periodika v rámci svazku
3
Stát vydavatele periodika
SI - Slovinská republika
Počet stran výsledku
26
Strana od-do
151-176
Kód UT WoS článku
001315895800007
EID výsledku v databázi Scopus
2-s2.0-85204359300