The Rhythmic Space of Affects: How Atmospheres Shape Music Videos
Identifikátory výsledku
Kód výsledku v IS VaVaI
<a href="https://www.isvavai.cz/riv?ss=detail&h=RIV%2F61989592%3A15210%2F25%3A73632116" target="_blank" >RIV/61989592:15210/25:73632116 - isvavai.cz</a>
Výsledek na webu
<a href="https://www.tandfonline.com/doi/full/10.1080/17400309.2025.2502909" target="_blank" >https://www.tandfonline.com/doi/full/10.1080/17400309.2025.2502909</a>
DOI - Digital Object Identifier
<a href="http://dx.doi.org/10.1080/17400309.2025.2502909" target="_blank" >10.1080/17400309.2025.2502909</a>
Alternativní jazyky
Jazyk výsledku
angličtina
Název v původním jazyce
The Rhythmic Space of Affects: How Atmospheres Shape Music Videos
Popis výsledku v původním jazyce
Opening a dialogue between music video scholarship and affect theory, this article argues for grounding the concept of atmosphere in the affective agency and movement of audiovisual forms, their spatial arrangement, and musical composition. Drawing on Eugenie Brinkema's affective formalism and recent theorizations of cinematic motion, it analyzes the mutual transformations between space, bodies, and rhythm in Jlin's 'Carbon 7 (161)' (dir. Joji Koyama, 2017) and Earl Sweatshirt's 'Grief' (dir. Hiro Murai, 2015). Rather than treating atmosphere as a vague overall mood or subjective experience, the article explores the performative interactions between moving images, music, and sound as shaped by specific affective operations. To explain how music videos generate atmosphere and what aesthetic and conceptual roles it plays in a video's composition, style, and viewer engagement, I first discuss the absence of the term atmosphere in music video studies, including its frequent substitution with the more diffuse concept of mood. Building upon Jordan Schonig's account of camera movement and cinematic motion forms, the critique then joins several contemporary voices in affect theory whose philosophical elaborations of atmosphere allow to better understand the affective structure of music video space and movement. Finally, these theoretical interlocutors inform a close reading of the two videos, demonstrating how particular affective operations drive the audiovisual atmosphere, which in turn reshapes both their visual and sonic structures.
Název v anglickém jazyce
The Rhythmic Space of Affects: How Atmospheres Shape Music Videos
Popis výsledku anglicky
Opening a dialogue between music video scholarship and affect theory, this article argues for grounding the concept of atmosphere in the affective agency and movement of audiovisual forms, their spatial arrangement, and musical composition. Drawing on Eugenie Brinkema's affective formalism and recent theorizations of cinematic motion, it analyzes the mutual transformations between space, bodies, and rhythm in Jlin's 'Carbon 7 (161)' (dir. Joji Koyama, 2017) and Earl Sweatshirt's 'Grief' (dir. Hiro Murai, 2015). Rather than treating atmosphere as a vague overall mood or subjective experience, the article explores the performative interactions between moving images, music, and sound as shaped by specific affective operations. To explain how music videos generate atmosphere and what aesthetic and conceptual roles it plays in a video's composition, style, and viewer engagement, I first discuss the absence of the term atmosphere in music video studies, including its frequent substitution with the more diffuse concept of mood. Building upon Jordan Schonig's account of camera movement and cinematic motion forms, the critique then joins several contemporary voices in affect theory whose philosophical elaborations of atmosphere allow to better understand the affective structure of music video space and movement. Finally, these theoretical interlocutors inform a close reading of the two videos, demonstrating how particular affective operations drive the audiovisual atmosphere, which in turn reshapes both their visual and sonic structures.
Klasifikace
Druh
J<sub>imp</sub> - Článek v periodiku v databázi Web of Science
CEP obor
—
OECD FORD obor
60405 - Studies on Film, Radio and Television
Návaznosti výsledku
Projekt
—
Návaznosti
S - Specificky vyzkum na vysokych skolach
Ostatní
Rok uplatnění
2025
Kód důvěrnosti údajů
S - Úplné a pravdivé údaje o projektu nepodléhají ochraně podle zvláštních právních předpisů
Údaje specifické pro druh výsledku
Název periodika
New Review of Film and Television Studies
ISSN
1740-0309
e-ISSN
1740-7923
Svazek periodika
23
Číslo periodika v rámci svazku
2
Stát vydavatele periodika
GB - Spojené království Velké Británie a Severního Irska
Počet stran výsledku
25
Strana od-do
330-354
Kód UT WoS článku
001507889700001
EID výsledku v databázi Scopus
2-s2.0-105008754551